Poet, musician, filmmaker, actor and intellectual Saul Williams discusses the relationships between aesthetic forms and political education in conversation with Dr. Shana Redmond, Director of the Center for the Study of Social Difference. Reflecting on practices of Black experimentation—in language, music, and film—this dialogue explores the various sites of enclosure and foreclosure, from the nation state to the university, that bear upon the present and what practices are necessary to enact more just futures. Register here.
This conversation is the second installment of the University in/and Crisis working group, a collaboration between the Center for the Study of Social Difference at Columbia University, the Barnard Center for Research on Women, and the Edmund W. Gordon Institute for Advanced Study at Teachers College, and is supported by The Radio in the Orchard. It is presented as part of The Schomburg Center for Research in Black Cultures's Black On Screen: A Century of Radical Visual Culture, a centennial series capturing 100 years of local and transnational Black movement work and artistic evolution on film.
Black on Screen: A Century of Radical Visual Culture captures 100 years of local and transnational Black movement work and artistic evolution on film. Sourced from The Schomburg’s collection and others, it takes a kaleidoscopic look at Black life and expression across diasporas, rendering a range of storytelling traditions that incite and inspire Black world-building. The Moving Image and Recorded Sound Division (MIRS, pronounced “meers”) at the Schomburg Center collects and preserves audio and moving image (AMI) materials related to the experiences of people of African descent. The division has amassed nearly 400 collections, approximately 5,000 square feet, in a variety of formats, which captures the gestures and sounds of major historical, artistic and cultural moments and influencers. While the strength is the Black American holdings there is considerable Caribbean and African representation in the collection. Learn more about this division.
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Saul Williams came to worldwide attention as a writer and performer with his debut film, SLAM (dir. Marc Levin) winning Sundance's Grand Jury Prize and Cannes Camera D'Or in 1998, introducing the world to the phenomenon of slam poetry competitions and Saul as a global ambassador of modern poetry. Saul holds a BA in Theater and Philosophy from Morehouse College and MFA in Acting from NYU's Tisch School of the Arts.
As a musician, Saul's albums have featured genre-bending collaborations with producers, such as Rick Rubin and Trent Reznor, that helped usher in Brooklyn's Afro-Punk movement. Saul has also collaborated with “Contemporary Music” composers, writing the libretto for Ted Hearne's LA Philharmonic produced oratorio “PLACE” and two symphonies by the late Swiss composer, Thomas Kessler, based on two books of Saul's poetry, “,said the shotgun to the head.” and “The Dead Emcee Scrolls. Overall, Saul has released six studio albums and five books of poetry, translated into multiple languages. His newest release in August, 2025 was a collaboration with Carlos Niño and is out now on International Anthem Records.
In 2022, Saul wrote, composed the soundtrack/score, and co-directed the science-fiction musical Neptune Frost, alongside his co-director and creative partner, Anisia Uzeyman. Neptune Frost made its world debut as part of Cannes Film Festival's “Director's Fortnight” and was selected by NYT's film critic A.O. Scott as the #2 film of the year.
As an actor Saul has worked in theater, film and television. He was a series regular on the sitcom “Girlfriends.” He is the first African-American to win Best Actor in Africa's largest film festival FESPACO for his work in the Senegalese film TEY (“Aujourd'hui”) directed by Alain Gomis and his 2020 performance in “Akilla’s Escape” earned him a Canadian Screen Award nomination for Best Actor.
He was the lead in Broadway's first Hip Hop musical, “Holler If You Hear Me”, based on the lyrics of Tupac Shakur and directed by Kenny Leon. Saul also starred in the two final campaigns of Virgil Abloh for Louis Vuitton, appearing in “Peculiar Contrast, Perfect Light” (F/W 2021) and “Amen Break” (S/S 2022). Most recently, Saul appears as the preacher “Jedidiah Moore” in Ryan Coogler's “Sinners”.
As a performer, Saul has toured in over forty countries, lectured in hundreds of universities, and served as a guest professor of poetry and performance at Stanford University.