Marita Sturken
Professor and Chair, Department of Media, Culture, and Communication and Co-Director of the Visual Culture Program, NYU
Marita Sturken is Professor in the Department of Media, Culture, and Communication at New York University, where she teaches courses in visual culture, cultural memory, and consumerism.
Marita Sturken
Professor and Chair, Department of Media, Culture, and Communication and Co-Director of the Visual Culture Program, NYU
Marita Sturken is Professor in the Department of Media, Culture, and Communication at New York University, where she teaches courses in visual culture, cultural memory, and consumerism. She is the author of Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering (University of California Press, 1997), and Practices of Looking: An Introduction to Visual Culture (with Lisa Cartwright, Oxford University Press, second edition 2009), and Tourists of History: Memory, Kitsch, and Consumerism From Oklahoma City to Ground Zero (Duke University Press, 2007).
Working Group Affiliation
Diana Taylor
Fellow, Performance and Politics, New York University
Diana Taylor is University Professor and Professor of Performance Studies and Spanish at NYU. She is the author of Theatre of Crisis: Drama and Politics in Latin America (1991), which won the Best Book Award given by New England Council on Latin American Studies and Honorable Mention in the Joe E. Callaway Prize for the Best Book on Drama; of Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’, Duke U.P., 1997; and The Archive and the Repertoire: Performing Cultural Memory in the Americas (Duke U.P., 2003), which won the ATHE Research Award in Theatre Practice and Pedagogy and the Modern Language Association Katherine Singer Kovacs Prize for the best book in Latin American and Spanish Literatures and Culture (2004).
Diana Taylor
University Professor, Performance Studies and Spanish and Founding Director, Hemispheric Institute of Performance and Politics, NYU
Diana Taylor is University Professor and Professor of Performance Studies and Spanish at NYU. She is the author of Theatre of Crisis: Drama and Politics in Latin America (1991), which won the Best Book Award given by New England Council on Latin American Studies and Honorable Mention in the Joe E. Callaway Prize for the Best Book on Drama; of Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’, Duke U.P., 1997; and The Archive and the Repertoire: Performing Cultural Memory in the Americas (Duke U.P., 2003), which won the ATHE Research Award in Theatre Practice and Pedagogy and the Modern Language Association Katherine Singer Kovacs Prize for the best book in Latin American and Spanish Literatures and Culture (2004). The Archive and the Repertoire has been translated into Portuguese by Eliana Lourenço de Lima Reis (Belo Horizonte, Brazil: Universidade Federal de Minas Gerais 2012) and Spanish by Anabelle Contreras (Santiago de Chile: Ediciones Universidad Alberto Hurtado, 2015.) Her Acciones de memoria: Performance, historia, y trauma, was published in Peru by Fondo Editorial de la Asamblea Nacional de Rectores (2012). Performance, first published in Spanish in Buenos Aires (Asuntos Impresos, 2012), was revised and published in English with Duke U.P. 2016, and in Polish (Performans, Universitas, 2018). ‘PerformancePerformance’ and ‘퍼포먼스퍼포먼스’. Soeul: Rasun Press, is forthcoming, 2021. Performance, politica e memoria culturale, edited by Fabrizio Deriu (Rome: Editoriale Artemide) came out in 2019. ¡Presente! The Politics of Presence, Duke University Press 2020, ¡Presente! La política de la presencia! translated into Spanish by Ana Stevenson, Ediciones Universidad Alberto Hurtado (Chile), 2021,¡Presente!, A Política da Presença, translated into Portuguese by Adelaine La Guardia, Belo Horizonte, Brazil: Universidade Federal de Minas Gerais, forthcoming 2022.
She is co-editor of Estudios avanzados de Performance (Mexico: Fondo de Cultura Económica, 2011), Stages of Conflict: A Reader in Latin American Theatre and Performance (Michigan U.P., 2008), Holy Terrors: Latin American Women Perform (Duke U.P.,2004), Defiant Acts/Actos Desafiantes: Four Plays by Diana Raznovich (Bucknell U. P., 2002), (Duke U.P., 1994), and The Politics of Motherhood: Activists from Left to Right, (University Press of New England, 1997). She has edited five volumes of critical essays on Latin American, Latino, and Spanish playwrights, and several digital books such as What is Performance Studies (co-edited with Marcos Steuernagle) and Dancing with the Zapatistas (Duke U.P. 2016) Her articles on Latin American and Latino performance have appeared in journals such as PMLA, Profession, Critical Inquiry, TDR: The Drama Review, Theatre Journal, e-misférica, Performing Arts Journal, Latin American Theatre Review, Estreno, Gestos, Signs, MLQ and other scholarly journals. She has also been invited to participate in discussions on the role of new technologies in the arts and humanities in important conferences and commissions in the Americas (i.e. ACLS Commission on Cyberinfrastructure).
Taylor was the recipient of the Guggenheim Fellowship in 2005, an ACLS Digital Innovation Fellowship, 2013-14, and a Research Fellowship at the Institut d’Etudes Avancée de Paris, 2016-2017. She was President of the Modern Language Association (MLA) in 2017. Diana Taylor is Founder and Past Director, Hemispheric Institute of Performance and Politics, funded by the Ford, Mellon, Rockefeller, Rockefeller Brothers and Henry Luce Foundations. In 2018, Diana Taylor was inducted into the American Academy of Arts and Science. . In 2021 she was awarded the Edwin Booth Award for “outstanding contribution to the NYC theatre community, and to promote integration of professional and academic theatre.”
Working Group Affiliation
Women Mobilizing Memory, Project Director
Zip Code Memory Project: Practices of Justice and Repair, Social Engagement Project, Project Director
Aylin Tekiner
Fellow, Sculpture Studies, Hacettepe University Fine Arts
Aylin Tekiner (b. 1978, Nevsehir, Turkey) is a New York/Istanbul based artist and activist. She undertook her B.A. and M.A. at Hacettepe University Fine Arts, Sculpture Department in Ankara, Turkey. In 2008 she received her PhD at Ankara University, Institute of Educational Sciences, Cultural Fundamentals of Education Department. Her book "Ataturk Statues: Cult, Esthetics, and Politics" evolved from her PhD thesis and was published by Iletisim Yayinlari (Turkey) in 2010. Aylin has had solo shows and participated in the group exhibitions in Turkey and New York.
Aylin Tekiner
Artist
Aylin Tekiner (b. 1978, Nevsehir, Turkey) is a New York/Istanbul based artist and activist. She undertook her B.A. and M.A. at Hacettepe University Fine Arts, Sculpture Department in Ankara, Turkey. In 2008 she received her PhD at Ankara University, Institute of Educational Sciences, Cultural Fundamentals of Education Department. Her book "Ataturk Statues: Cult, Esthetics, and Politics" evolved from her PhD thesis and was published by Iletisim Yayinlari (Turkey) in 2010. Aylin has had solo shows and participated in the group exhibitions in Turkey and New York. She taught New Media, Art, and Activism at Long Island University, New York. She is a member of Collective Memory Platform, which was formed by the families of 28 victims of the political murders in modern Turkey.
Working Group Affiliation
Kate Trebuss
Doctoral Student, English and Comparative Literature, Columbia University
Kate Trebuss is a fourth-year doctoral student in the Department of English and Comparative Literature at Columbia University. Her dissertation, entitled "Critical Care: Medical Life Writing, Memory, and the Politics of Health," investigates how contemporary autobiographical stoies of illness and medical care facilitate the remembering and forgetting of certain histories and current conditions of violence, oppression, invisibility and inequality, as well as the connections between them.
Kate Trebuss
English and Comparative Literature
Kate Trebuss is a fourth-year doctoral student in the Department of English and Comparative Literature at Columbia University. Her dissertation, entitled "Critical Care: Medical Life Writing, Memory, and the Politics of Health," investigates how contemporary autobiographical stoies of illness and medical care facilitate the remembering and forgetting of certain histories and current conditions of violence, oppression, invisibility and inequality, as well as the connections between them. HEr work focuses on intersections between medicine and literature, in particular the ways in which illness narratives shape health policy and how literary knoweldge can contribute to the clinical and ethical training of medical professionals. Kate is currently a Social Science and Humanities Research Council of Canada Doctoral Fellow and the rapporteur for Columbia University's Cultural Memory Seminar. She holds a B.A. Hon. and an M.A. in English Language and Literature from the University of Toronto.
Working Group Affiliation
Zeynep Türkyılmaz
Fellow, History, Dartmouth College
Zeynep Türkyılmaz received her Ph.D. from the Department of History at the University of California at Los Angeles (UCLA) in 2009. Her dissertation, "Anxieties of Conversion: Missionaries, State and Heterodox Communities in the Late Ottoman Empire," is based on intensive research conducted in Ottoman, British, and several American missionary archives. She was an Andrew W. Mellon Foundation Sawyer Seminar Postdoctoral at UNC-Chapel Hill between 2009-2010 and Europe in the Middle East/ The Middle East in Europe Seminar Postdoctoral Fellow at Wissenschaftskolleg zu Berlin between 2010-2011.
Zeynep Türkyılmaz
Assistant Professor of History, Dartmouth College
Zeynep Türkyılmaz received her Ph.D. from the Department of History at the University of California at Los Angeles (UCLA) in 2009. Her dissertation, "Anxieties of Conversion: Missionaries, State and Heterodox Communities in the Late Ottoman Empire," is based on intensive research conducted in Ottoman, British, and several American missionary archives. She was an Andrew W. Mellon Foundation Sawyer Seminar Postdoctoral at UNC-Chapel Hill between 2009-2010 and Europe in the Middle East/ The Middle East in Europe Seminar Postdoctoral Fellow at Wissenschaftskolleg zu Berlin between 2010-2011. She joined the Darmouth College as an assistant professor of history in 2011.
Her research and teaching interests include state-formation, gender, nationalism, religion with a focus on heterodoxy and missionary work in the Middle East from 1800 to the present.
Working Group Affiliation
Armanc Yıldız
PhD Student, Anthropology, Harvard University
Armanc Yildiz is a PhD student in the Department of Anthropology at Harvard University. His current research interests are sexuality, race, labor, political economy, colonialism, migration, Germany, and the anthropology of Europe. He received his master’s degree (with Distinction) in International Performance Research at the University of Warwick. He has a bachelor’s degree (with Honors) in Cultural Studies with a minor on Art Theory and Criticism at Sabanci University.
Armanc Yıldız
Armanc Yildiz is a PhD student in the Department of Anthropology at Harvard University. His current research interests are sexuality, race, labor, political economy, colonialism, migration, Germany, and the anthropology of Europe. He received his master’s degree (with Distinction) in International Performance Research at the University of Warwick. He has a bachelor’s degree (with Honors) in Cultural Studies with a minor on Art Theory and Criticism at Sabanci University.
Working Group Affiliation